
It might have something to do with union membership.
Some of the £5bn extra capital investment over the next three years will go to a £600m schools programme to fund an extra 40,000 places by 2014.
In what is rapidly turning into a full scale "game-changer" budget to stave off the impact of collapsing European economies, Osborne will also announce plans to:
• Help energy-intensive industries.
• Increase the bank levy to maintain an annual income from banks of £2.5bn.
• Place a cap on announced rail fare rises.
• Defer a 3p rise in fuel duty which was due to be introduced in January
• Remove health and safety bureaucracy from 1 million self-employed people as the next stage of labour market deregulation.
The chancellor may also be able to garner funds for the investment from overseas. China Investment Corporation is considering investing in the infrastructure of the UK, according to Lou Jiwei, the fund's chairman. The $410bn Chinese fund "is keen to team up with fund managers or participate through a public-private partnership in the UK infrastructure sector as an equity investor," Lou writes in today's Financial Times.
With less then a week to go before the biggest walkout in decades, the ministers in charge of pensions negotiations, Francis Maude and Danny Alexander, said the strikes would impose a "significant hit to the economy at a very challenging time" as they urged public sector staff to go to defy their unions and turn up to work next Wednesday.
An Anglican newspaper has defended the publication of an article that compares gay rights campaigners to Nazis, saying the author has "pertinent views".
In his column [Alan] Craig referred to a number of high-profile legal cases where Christians claim to have been penalised for their views on homosexuality.
He wrote: "Having forcibly – and understandably – rectified the Versailles-type injustices and humiliations foisted on the homosexual community, the UK's victorious Gaystapo are now on a roll. Their gay-rights stormtroopers take no prisoners as they annex our wider culture, and hotel owners, registrars, magistrates, doctors, counsellors, and foster parents … find themselves crushed under the pink jackboot.
"Thanks especially to the green light from a permissive New Labour government, the gay Wehrmacht is on its long march through the institutions and has already occupied the Sudetenland social uplands of the Home Office, the educational establishment, the politically-correct police. Following a plethora of equalities legislation, homosexuals are now protected and privileged by sexual orientation regulations and have achieved legal equality by way of civil partnerships. But it's only 1938 and Nazi expansionist ambitions are far from sated."
Britain is losing its moral compass to such a degree that the armed forces can no longer rely on young recruits to behave in a way once expected by senior officers, General Lord Dannatt, a former head of the army will say on Tuesday.
Dannatt, a committed Christian...
Yet there is something profoundly odd about the hyperbolic championing of Florence Welch. At a time when a climate of burgeoning radicalism should be reorienting our culture so that hitherto suppressed voices from the margins might be heard, why is the Great British Hope of 2011 a fashion-obsessed, privately educated young woman from a family of privileged metropolitan movers and shakers? In fact, shouldn't the red carpet treatment afforded to Welch make us question the extent to which we are all complicit in a top-heavy system that no longer has any qualms about poshness and ostentatious consumer decadence?
The huge popularity of FATM's hermetic, Bloomsbury-meets-Björk aesthetic is symptomatic of a society that has become almost irretrievably divided without knowing it. Though it often makes the right noises and appears sympathetic to reform, liberal, middle-class Britain has abandoned counterculture and true radicalism for an unfortunate lingering obsession with escapist lifestyle fantasy. While inequalities have mushroomed in the UK in recent years, the British bourgeoisie has increasingly indulged in a way of life that seeks to cover over its affluence with vague gestures at radical chic, pastoral myth, and down-at-heel "folksiness".
The most aloof, entitled middle-class since the Edwardian period has become inured to its position at the top of an emphatically inegalitarian social hierarchy. Meanwhile, deprived of its vocabulary and identity, the real "folk" or working class has increasingly receded from view over the past couple of decades, as several commentators this year have noted. And the pervasive notion that There Is No Alternative has been compounded by the fact that the alternative, proletarian, bottom-up traditions of the past (independent music, folk culture, communitarian politics) have been casually appropriated by a liberal-conservative elite that blithely attaches itself to faux-populist causes such as "big society", nu-folk music, Blue Labour, and Green Toryism. FATM's catwalk pastiche of Kate Bush's wayward, subversive English eccentricity is merely the latest in this series of top-down co-options of "grassroots" marginality.
So what is the alternative? Perhaps the point is that we politicians, journalists, academics, and indie musicians are part of the problem rather than the solution, and are likely to carry on being so until substantial reform of the political system allows the genuinely marginalised, alternative sectors of the world a chance to shine.